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Sukhkarta Dukhharta — Jai Dev Jai Dev (Shri Siddhivinayak Aarti Sangrah)
सुखकर्ता दुखहर्ता — जय देव जय देव
AartiGaneshaSamarth Ramdas (Sukhkarta Dukhharta, Lavthavti Vikrala); Gosavinandan (Shendur Lal Chadhayo); Narahari (Durge Durghat Bhari); Sant Namdev and traditional shlokas (Ghalin Lotangan)Marathi
The complete Maharashtrian aarti sequence sung before Ganpati Bappa — Sukhkarta Dukhharta, Shendur Lal Chadhayo, Lavthavti Vikrala, Durge Durghat Bhari and Ghalin Lotangan — in Devanagari with transliteration and English meaning.
📜 Read this text in your script — same words, your letters
Giver of joy and remover of sorrow — by his grace not even a trace of obstacles remains, and love is given in full measure. His whole body is beautiful, anointed with vermilion paste, and a necklace of pearls gleams at his throat.
Shri Ganesha Aarti — Refrain
जय देव जय देव, जय मंगलमूर्ती ।
दर्शनमात्रे मन:कामना पुरती ॥ जय देव जय देव ॥
jaya deva jaya deva, jaya mangalamurti
darshanamatre manahkamana purati
jaya deva jaya deva, jaya maṅgalamūrtī
darśanamātre manaḥkāmanā puratī
Victory to you, O Lord, victory — O embodiment of all that is auspicious! By the mere sight of you, the wishes of the heart are fulfilled.
A jewel-studded ornament is offered to you, O son of Gauri, with sandal paste, kumkum and saffron. Your diamond-set crown looks splendid, and the little bells of the anklets at your feet ring sweetly.
Shri Ganesha Aarti — Verse 3
लंबोदर पीतांबर, फणिवरबंधना ।
सरळ सोंड वक्रतुंड, त्रिनयना ।
दास रामाचा, वाट पाहे सदना ।
संकटी पावावे, निर्वाणी रक्षावे, सुरवरवंदना ॥ जय देव… ॥
O pot-bellied one in yellow silk, girdled with the king of serpents, with straight trunk and curved tusk, O three-eyed Lord! Ramdas, your servant, waits for you at his home. Come to us in times of trouble and protect us at the final hour, O you whom the greatest of the gods revere.
Shendur Lal Chadhayo — Verse 1
शेंदुर लाल चढ़ायो, अच्छा गजमुखको ।
दोंदिल लाल बिराजे, सुत गौरिहरको ।
हाथ लिए गुड लड्डू, सांई सुरवरको ।
महिमा कहे न जाय, लागत हूं पादको ॥ जय देव… ॥
shemdura lala cadhayo, accha gajamukhako
domdila lala biraje, suta gauriharako
hatha lie guda laddu, sami suravarako
mahima kahe na jaya, lagata hum padako
Red vermilion has been offered to the gracious elephant-faced Lord. The beloved round-bellied one sits resplendent — the son of Gauri and Hara. With a jaggery laddu in his hand, he is the master of the highest gods. His glory cannot be told; I bow down at his feet.
Shendur Lal Chadhayo — Refrain
जय देव जय देव, जय जय श्री गणराज ।
विद्या सुखदाता ।
धन्य तुम्हारा दर्शन, मेरा मन रमता ॥ जय देव जय देव ॥
jaya deva jaya deva, jaya jaya shri ganaraja
vidya sukhadata
dhanya tumhara darshana, mera mana ramata
jaya deva jaya deva, jaya jaya śrī gaṇarāja
vidyā sukhadātā
dhanya tumhārā darśana, merā mana ramatā
Victory to you, O Lord, victory — victory to Shri Ganaraj, giver of knowledge and happiness! Blessed is the sight of you; my heart delights in it.
Shendur Lal Chadhayo — Verse 2
अष्टौ सिद्धि दासी, संकटको बैरि ।
विघ्नविनाशन मंगल, मूरत अधिकारी ।
कोटीसूरजप्रकाश, ऐसी छबि तेरी ।
गंडस्थलमदमस्तक, झूले शशिबिहारि ॥ जय देव… ॥
The eight siddhis are your handmaidens, and you are the enemy of every danger. Destroyer of obstacles, auspicious in form, you are the supreme authority. Your radiance is like the light of ten million suns; the crescent moon sways upon your noble, rut-marked brow.
Shendur Lal Chadhayo — Verse 3
भावभगत से कोई, शरणागत आवे ।
संतत संपत सबही, भरपूर पावे ।
ऐसे तुम महाराज, मोको अति भावे ।
गोसावीनंदन, निशिदिन गुन गावे ॥ जय देव… ॥
bhavabhagata se koi, sharanagata ave
samtata sampata sabahi, bharapura pave
aise tuma maharaja, moko ati bhave
gosavinamdana, nishidina guna gave
bhāvabhagata se koī, śaraṇāgata āve
saṃtata saṃpata sabahī, bharapūra pāve
aise tuma mahārāja, moko ati bhāve
gosāvīnaṃdana, niśidina guna gāve
Whoever comes to you for refuge with heartfelt devotion receives children, wealth and every good thing in abundance. Such are you, O great King, and so you are most dear to me — Gosavinandan sings your praises night and day.
The awesome garland of universes sways upon you. Your throat is dark with poison, and flames blaze from your third eye. On your head rests the lovely maiden Ganga, and from there her pure water flows, rippling gently down.
Shri Shankar Aarti — Refrain
जय देव जय देव, जय श्रीशंकरा ।
आरती ओवाळू, तुज कर्पूरगौरा ॥ जय देव जय देव ॥
jaya deva jaya deva, jaya shrishamkara
arati ovaliu, tuja karpuragaura
jaya deva jaya deva, jaya śrīśaṃkarā
āratī ovāḷū, tuja karpūragaurā
Victory to you, O Lord, victory — victory to Shri Shankara! We wave the aarti lamp before you, O Lord as fair as camphor.
Shri Shankar Aarti — Verse 2
कर्पूरगौरा भोळा, नयनी विशाळा ।
अर्धांगी पार्वती, सुमनांच्या माळा ।
विभूतीचे उधळण, शितिकंठ नीळा ।
ऐसा शंकर शोभे, उमावेल्हाळा ॥ जय देव… ॥
Fair as camphor, simple-hearted and wide-eyed; Parvati is half of his very body, and garlands of flowers adorn him. Sacred ash is strewn over him and his throat is dark blue — so shines Shankara, the beloved of Uma.
Shri Shankar Aarti — Verse 3
देवी दैत्यी सागरमंथन पै केले ।
त्यामाजी अवचित, हलाहल जे उठिले ।
ते त्वां असुरपणे, प्राशन केले ।
नीलकंठ नाम, प्रसिद्ध झाले ॥ जय देव… ॥
devi daityi sagaramamthana pai kele
tyamaji avacita, halahala je uthile
te tvam asurapane, prashana kele
nilakamtha nama, prasiddha jhale
devī daityī sāgaramaṃthana pai kele
tyāmājī avacita, halāhala je uṭhile
te tvāṃ asurapaṇe, prāśana kele
nīlakaṃṭha nāma, prasiddha jhāle
When the gods and the demons churned the ocean, the deadly halahala poison suddenly rose from it. You drank it down with fearless might — and so your name Nilakantha, the Blue-Throated, became renowned.
Clad in a tiger skin and wearing the king of serpents, beautiful, the foe of Kamadeva; five-faced, enchanting the mind, the joy of the sages. He utters with his own lips the seed of the hundred-crore-verse Ramayana — the name of Rama, jewel of the Raghu line, who dwells in the heart of Ramdas.
O Durga, without you this worldly life is unbearably hard. O Mother Amba, protector of those who have no protector, spread your compassion over us. Ward off, again and again, the cycle of birth and death. I have fallen, defeated — now remove my distress.
Shri Devi Aarti — Refrain
जय देवी जय देवी, जय महिषासुरमथनी ।
सुरवरईश्वरवरदे, तारक संजीवनी ॥ जय देवी जय देवी ॥
Victory to you, O Goddess, victory — victory to the slayer of Mahishasura! Giver of boons to the greatest gods and to the Lord himself, you are the saviour and the very elixir of life.
Shri Devi Aarti — Verse 2
त्रिभुवनभुवनी पाहता, तुज ऐसी नाही ।
चारी श्रमले परंतु, न बोलवे काही ।
साही विवाद करिता, पडिले प्रवाही ।
ते तू भक्तालागी, पावसि लवलाही ॥ जय देवी… ॥
tribhuvanabhuvani pahata, tuja aisi nahi
cari shramale paramtu, na bolave kahi
sahi vivada karita, padile pravahi
te tu bhaktalagi, pavasi lavalahi
tribhuvanabhuvanī pāhatā, tuja aisī nāhī
cārī śramale paraṃtu, na bolave kāhī
sāhī vivāda karitā, paḍile pravāhī
te tū bhaktālāgī, pāvasi lavalāhī
Searching through all the three worlds, there is none like you. The four Vedas wearied themselves yet could not describe you; the six schools of philosophy, arguing over you, were swept away in the current. And yet, for your devotees, you come at once.
O Mother of the gracious face, be gracious to your own servant. Free me from suffering and cut the noose of worldly existence. O Amba, who but you will fulfil my hopes? Narahari is lost in devotion to the merest dust of your lotus feet.
I will prostrate myself fully and bow at your feet; with my own eyes I will behold your form. With love I will embrace you, with joy I will worship you, and with devotion I will wave the lamp before you — so says Nama (Sant Namdev).
Ghalin Lotangan — Verse 2
त्वमेव माता च पिता त्वमेव ।
त्वमेव बन्धुश्च सखा त्वमेव ।
त्वमेव विद्या द्रविणं त्वमेव ।
त्वमेव सर्वं मम देवदेव ॥
tvameva mata ca pita tvameva
tvameva bandhush-ca sakha tvameva
tvameva vidya dravinam tvameva
tvameva sarvam mama deva-deva
tvameva mātā ca pitā tvameva
tvameva bandhuś-ca sakhā tvameva
tvameva vidyā draviṇaṃ tvameva
tvameva sarvaṃ mama deva-deva
You alone are my mother and you alone my father; you alone are my kinsman and you alone my friend. You alone are my knowledge and you alone my wealth. You alone are my everything, O God of gods.
Whatever I do with my body, speech, mind or senses, with my intellect and soul, or by the force of my own nature — all of it I offer to the Supreme, to Narayana.
I worship Achyuta, Keshava, Rama, Narayana; Krishna, Damodara, Vasudeva, Hari; Shridhara, Madhava, the beloved of the gopis; and Ramachandra, the Lord of Janaki.
Ghalin Lotangan — Mahamantra
हरे राम हरे राम, राम राम हरे हरे ।
हरे कृष्ण हरे कृष्ण, कृष्ण कृष्ण हरे हरे ॥
hare rama hare rama, rama rama hare hare
hare krishna hare krishna, krishna krishna hare hare
hare rāma hare rāma, rāma rāma hare hare
hare kṛṣṇa hare kṛṣṇa, kṛṣṇa kṛṣṇa hare hare
The great mantra of the divine names — Hare Rama, Hare Krishna — sung together, faster and faster, as the aarti comes to its close.
When it is recited: Sung morning and evening through the days of Ganesh Chaturthi, on Sankashti and Vinayaka Chaturthi, on Tuesdays at Siddhivinayak, and at the close of any Maharashtrian household puja — always in this order, ending with Ghalin Lotangan.
Traditional significance: Five aartis form one act of worship: Ganesha is praised first as the giver of joy and remover of sorrow, then Shiva and the Devi, his father and mother, and finally everything is surrendered to Narayana in Ghalin Lotangan — so that the whole divine family is honoured before the lamp is set down.
Questions
Who wrote Sukhkarta Dukhharta?
Samarth Ramdas Swami, the 17th-century Maharashtrian saint, who is said to have composed it on seeing the Mayureshwar Ganesha at Morgaon. His signature appears in the last verse — 'Das Ramacha', the servant of Rama.
Why are aartis to Shiva and the Devi sung in a Ganesha aarti?
In the Maharashtrian tradition the aarti is a fixed sequence, not a single song: Ganesha is honoured first, then Shankar and the Devi — his father and mother — and the whole is surrendered to Narayana in Ghalin Lotangan. The order is the same at Siddhivinayak Mandir and in homes during Ganeshotsav.
Source: Traditional Maharashtrian aarti sequence as sung at Shri Siddhivinayak Mandir, Mumbai, and in homes through Ganeshotsav. Regional versions may vary — this text follows the version most widely used in community worship.